Category Archive 'Arts & Crafts'
08.02.08

Passion and Poetry, and Life

Arts & Crafts

Ironically, the passion that can neutralize the repulsion for difficulties depends on the effort to overcome these difficulties. The irony resides in the circularity of this principle - which applies to all areas of activity, including poetry: One must make the effort to overcome difficulties to achieve success and feel capable, and one needs this achievement and feeling to have a passion for making this effort.

How can one enter this circle without this passion? In other words, how does one resolve the quasi-contradiction according to which one cannot passionately start the effort to overcome difficulties before it has ended successfully?

If difficulties are deemed insurmountable, mistakenly or not, the repulsion for them is absolute. In that case, nothing will motivate the effort to succeed, except an outside authority that can dictate this effort, or an outside influence that can generate faith and stimulate courage. In every other case where the seriousness of the difficulties is open to doubt, one may try one’s luck with mixed feelings.

Assuming one tries, the result of this effort will constitute additional self-knowledge that will inform one’s future choices. A positive outcome will act as a positive reinforcement that emboldens one to try again, with increased confidence and reduced hesitation; a negative outcome will do the opposite.

Should one refuse to try one’s luck, this would slow one’s progress, but not necessarily stop it. Confidence can be increased and hesitation reduced by degrees, through a series of baby steps that can eventually lead to triumph. All in all, people have more than one trick up their sleeve to succeed in life, though they cannot escape the necessity of achieving success to develop a passion for the difficult task of living.

As regards poetry, success may be achieved in a roundabout and gradual way. Take a young educated man who has a sense of imagery and a desire to express himself. While his education has prepared him for the written expression of his feelings and thoughts, this sense and this desire together drive him to write poetically, though he has no pretensions to composing a poem.

This first step is a manner of kickoff that gets the ball rolling. He becomes aware of his poetic ability within the limits of his poetic writing. What is more, he catches a glimpse of the poetry that is a blur in this writing and could emerge from the prose like a landscape from the fog. His potential as a future poet is thus faintly discernible. It assumes the form of an inkling whose haziness will progressively dissipate as further poetic efforts are made successfully. In the end the young man sees himself as a young poet. He is eager to grapple with the difficulties of writing poetry because he is confident that he will overcome them and delight in this achievement.

EzineArticles Expert Author Laurent Grenier

Laurent Grenier’s writing career spans over twenty years. During this time he has broadened and deepened his worldview, by dint of much reflection and study, and in the end has crafted “A Reason for Living,” his best work to date.

Official web site: http://laurentgrenier.com/ARFL.html

15.09.07

Rangoli: The Knot Work of India

Arts & Crafts

In the April of 2003, I rented an apartment for a month in Chennai (Madras.) Though I had been to the northern parts of India several times, this was my first visit to the southeast coast. Walking in the early mornings, I’d find intricate knot work patterns drawn out free hand with flour on the streets in front of homes. Initially, my question was, how did these designs, so common in Celtic knot work, end up in India?

These artistic scrolls were known as Rangoli, which is a combination of two words: “Ranga” means God and “Oli” means to be pleased. A devout Hindu friend explained to me that the designs were a daily offering, an artful expression of worship not only for the deities, but also for the birds that feast on the flour designs during the day.

The tradition is truly ancient. Hindu epics thousands of years old describe cities where Rangolii were drawn with camphor powder or multicolored stones. One myth tells how a women’s picture of flowers was so realistic that it attracted bees. The designs were also done with red earth and even depicted on top milk carefully poured in a water vessel. The ability to draw these designs was considered so important that it brought status, particularly to a daughter-in-law seeking to impress her new mother-in-law. Even today, there can be a bit of playful competition between house holds.

The technique looks simple enough, but really requires a skill since it is done free hand. Rangoli images start from a matrix of dots which are connected by lines to create images.

I saw floral and knot work motifs, but it is also common during festivals to depict Hindu iconography, such as the conch, lotus or sacred Sanskrit letters. In Rajastan, which is in the northwest part of India, the Rangoli images are painted on the handles of swords or knives carved into animals. Rangoli is also painted on coconut shell used as gifts during weddings. Since only a general outline is depicted, the images lean toward the abstract.

Rangoli designs can be seen as a form mandelas, which in essence is a sacred, archetypal symbol sometimes used in meditation practice. Zig-zags, circles, triangle or any shape and color effect consciousness.

Among the most elaborate mandalas are drawn by Tibetans who spend days creating detailed mandalas in sand before ceremonially wiping the image out.

Though the act of creating these patterns in ritualistic and domestic settings are layered with meanings rooted deeply in these cultures, I believe it is safe to say that Rangoli teaches about reverence and the transience in our human experience. The beauty of the moment, the sunrise and the day, comes and it goes.

For me, seeing the art drawn on the street was a fascinating and delightful experience which enabled me to connect with these people on a universal, human level.

Marc Choyt graduated from Brown University in 1984 with
a degree in English. In 1995, he received an MA degree in
Humanities from St. John’s College. In 1996, he and his
wife, Helen Chantler, founded Reflective Images, a designer
jewelry company specializing in contemporary Celtic jewelry.

Please send email requests to marek@celticjewelry.com

http://www.artisanweddingrings.com

http://www.celticjewelry.com

25.08.07

How to Create a Reverse Painting on Glass

Arts & Crafts

Introduction:

Glass is a non-absorbant painting support which does not allow paint to easily adhere to it - apart from through the paint’s own drying process.

For this reason the outlines of a subject painted on glass need to be simplified when applied to an extremely smooth glass surface. Simplifying a subject does not necessarily detract from the end result after the painting is completed and the final result can often have an appearance similar to that of naive art in relation to composition and form and a certain number of other details. Many artists may find that such simplification can actually be very appealing.

Working the paint or changing outlines without smudging the surrounding areas of undried paint may require some concentration in the beginning, as well as a certain amount of skill, but with patience and the development of their skills using this painting technique, artists will find that applying and mastering the use of glass as a support will become easier as time progresses.

MATERIALS REQUIRED FOR PAINTING ON GLASS

Glass

Choose clear unflawed glass (or plexiglass) in the shape and size you wish to use. In order to begin mastering the technique of reverse painting it is advised to choose smaller sizes to begin with.

Paints

It is important to use a paint that will adhere properly to the surface of the glass. Oil based paints or acrylics are often used for this reason.There are also opaque and transparent ceramic artist colours that have been especially manufactured for using on a non-absorbant surface. Metallic colours (eg. gold, silver or copper) can also be interesting to work with. There are an increasing number of new art products available today that may be suitable for painting on a non-absorbant surface such as glass.

Paintbrushes

To begin choose a selection of small or medium-sized paintbrushes with fine, flat and pointed tips. Larger brushes can be used for working on a larger scale. Artists can also use less conventional tools for applying paint if they wish, depending on the effects obtained through experimentation that may interest them.

A penholder

Used for outlines (if required) and finer details. It can be an advantage to use interchangeable nibs suitable for creating both thick and thin outlines.

Ink for creating outlines on glass

The inks used need to be suitable for applying to a non-absorbant surface such as glass. As an alternative paint can also be thinned down into a more liquid form and used for creating outlines in which case attention must be given to to creating the right mixture of fluidity and thickness.

A painting palette or something similar to mix your paint on.

A palette knife -(optional) for mixing paint.

Artists paint cleaner or thinner - used for cleaning or sometimes for thinning, and depending on whether oil based or water-based paints are used.

A paint-drying agent - (optional) For mixing with paints to help speed up the drying process

Paper towelling or some clean rags

A mirror - (optional) can be used to check the progress of your painting while you are continuing to work. Place the mirror in a position where it will reflect your artwork from its viewing side.

Cellotape - or a similar average-width sticking tape

An easel - (optional) to prop your work on

A glass-cleaning product

PREPARING THE GLASS

Choose a piece of clear glass in the dimensions you would like to work with and check carefully to make sure the glass is neither scratched nor flawed. It is worthwhile remembering that a flaw in the glass itself will often detract from the finished appearance of a painting and may be impossible to remove after the completion of your artwork.

The sheet of glass that is to become your artwork consitutes the following:

(1) The ‘painting side’ - which is the side you will be painting on.

(2) The ‘viewing side’ - which is the side you will be looking at (or through) as you progress with your work and after it has been completed.

To render the cutting edges of the glass safe take a length of cellotape that will correspond to the length of one edge. Apply it carefully along that length (ideally so that it is folded equally over each side of the glass).

Repeat this procedure for the other 3 glass edges. The edge of the cellotape will also help mark the outer limits of your artwork.

Clean the surface of the glass thoroughly with a glass-cleaning product. Use paper towelling or any cleaning material that will not leave dust or threads on your painting surface.

Store the glass where it will be safe. If placed between sheets of newspaper it will be protected from scratches and dust.

CREATING OUTLINES

Art products in liquid form that are suitable for creating outlines on glass may be readily available in some countries. Oil-based paint,water-based acrylic and ceramic paint can also be used for this purpose.In order to create fine lines these paints must sometimes be thinned down in order to use with a pen nib or similar line-drawing tool.

To prevent lines from being effaced too easily you can use a paint that is oil based for creating the outlines of your subject if the paint you will be applying over the top of it (after it has properly dried) is water based. Reverse this procedure if your outlines are created with a water-based paint.

Always use a liquid paint product that will provide the best adhesion possible to a glass surface.

Due to pen nibs clogging relatively easily, attention must be paid to cleaning the nibs regularly.

OUTLINE METHODS

Method 1.

If you have a steady hand you can use a freehand method for applying outlines directly onto the surface of the glass.

Method 2.

Use an original subject for your painting (e.g. a drawing) and place this under the glass then copy it onto the glass surface.

Method 3.

Place a layer of carbon-paper on top of the glass then place your drawing on top of the carbon paper and with a pointed object trace the subject onto the glass. Be careful not to damage your original image (the image being copied) when using a pointed object.

Method 4.

A tracing table can be used for creating outlines. This is a table with a sheet of clear glass inserted into the top and with an electric light source situated beneath it. For those who frequently need to trace their work a tracing table can be very practical and useful.

Method 5.

You can omit outlines altogether.

APPLYING THE PAINT

Most artists have a preference for how to work when creating an artwork. Once it has been decided whether to work on a table or use a table-easel or a standing easel, it will be necessary to view the artwork regularly from its observation side in order to see its progress.

Some artists simply take the glass in their hands and turn it around to look at it directly from the observation side. Others prefer to use a mirror placed directly opposite their working area so that they can observe their progress while they paint.

Mixing and blending

If you are blending colours always do so on a palette or similar flat object before applying them to the glass. If colours are not well blended or mixed the result will be a streaky appearance in the paint on the observation side of the glass.

Avoiding smudges

When creating a reverse painting on glass it is important to watch out for smudges or particles of dirt or dust that may accidentally be transferred onto unpainted areas of your artwork as you are progressing. Unless removed these may appear as flaws that will show when viewing the artwork from its observation side. If they are also inadvertently covered with a layer of paint removing them afterwards may become very messy and difficult. When lifting off any smudges always be careful not to damage outines or other areas of paint you have already applied.

Applying the paint

Once the outlines of your subject have thoroughly dried you can begin to apply paint to fill in the remainder of your artwork. Begin with the smallest and most detailed or intricate areas first e.g. eyes, faces, small figures or objects etc - and always keep in mind that your artwork will be observed from the opposite side to the one your painting on and that you are painting in reverse and that therefore foregrounds precede backgrounds.

When applying the reverse painting method it is a good policy to reflect carefully on the sequence in which your painting will develop before beginning to apply your paint. This will create a methodical attitude that is essential for this particularly interesting but also intricate painting technique.

Wishing you many pleasant hours of reverse painting!

Extract from website “A guide to reverse painting on glass” at http://www.reversepaintings.com

See reverse painting artworks at http://www.mayannemackay.com

Copyright Mayanne Mackay 2005

24.08.07

One of A Kind

Arts & Crafts

My oh my
Big God in the sky
Sent me a lovely Canadian
He’s having His way again
Certainly knows how
To melt me within
Though at times I get restless
And near rebellion
The Father above
Takes divine dominion
Alleviates my miniscule opinion
And exceedingly surpasses my prayers
Bringing countless blessings in

Karla you certainly are thus far
The greatest of them
A blessing from heaven above
Someone I prize and dearly love
One of a kind
Captivating me all of the time
Making my soul sublime
With you the happiest days
I repeatedly find
Oh but now we’re apart
And it feels as if
There’s a dagger in my heart
Like I’m tormented
By the distance
Nevertheless I persevere
With all persistence
Knowing assuredly
I shall soon see you again
On Queen’s Day, in Holland
Yet I wish it would come faster
Because I can’t stop
Thinking about her

One of a kind
Is this woman of mine
A precious treasure
Beautiful beyond measure
Elegant and radiant
Intellectually brilliant
Stimulating me mentally and spiritually
Leaving me in awe
When I behold her physically
Soothing my soul
When I hear her audibly
Awaking my senses
When we embrace tirelessly
Getting lost in one another
Blissfully

One of a kind is she
Who motivates and inspires me
To be all I can be
To fulfill God’s call on me
Live passionately
Laugh joyfully
Love fearlessly
Let whatever will be
Just be

My one of a kind gem
Do not delay
To travel abroad
And come my way
For my soul longs
Yearns greatly for you
Without which
I know not what to do
For you’ve become
A part of me
A pillar of hope
Like the statue of liberty
An exquisite work of art
That provokes creativity
Ingenuity and tranquility

Hurry my love
I wait for thee
With all I am
And forever shall be
Make haste my darling
For life is short
To espouse self-control
Without you I can’t purport
Such dishonesty
Of my emotions
Makes mere sport
Let me therefore be true
And express wholeheartedly
How I feel for you
Before the sun sets
And there’s no time left to.
Karla you’re one of a kind
And I sincerely love you!

By Paul Davis - poet and prophet

Paul Davis is a missionary statesman, life coach (relational & professional), popular worldwide keynote speaker, creative consultant, explorer, mediator, liberator and dream-maker.

Paul’s compassion for people & passion to travel has taken him to over 50 countries of the world where he has had a tremendous impact bringing transformation to individuals and organizations. Paul has also brought revival to many in war-torn, impoverished and tsunami stricken regions of the earth. His nonprofit organization Dream-Maker Ministries is building dreams and breaking limitations.

Paul’s Breakthrough Seminars inspire, revive, awaken, impregnate with purpose, impart the fire of desire, catapult people into a new level of self-awareness, facilitate destiny discovery and dream fulfillment.

Paul plans to marry Karla, the love of his life, and go on an around the world honeymoon for an entire year. Would you like
to sponsor these world changers?

RevivingNations@yahoo.com
407-967-7553 or 407-282-1745.

http://www.CreativeCommunications.TV

http://www.BreakthroughSeminars.org

http://www.DreamMakerMinistries.com

20.08.07

“Jenny Kissed Me” by Leigh Hunt, A Discussion of the Poem and the Poet

Arts & Crafts

Jenny kissed me when we met,

Jumping from the chair she sat in;

Time, you thief, who love to get

Sweets into your list, put that in:

Say I’m weary, say I’m sad,

Say that health and wealth have missed me,

Say I’m growing old, but add

Jenny kissed me.

Leigh Hunt was a 19th century English essayist, critic, poet, and publisher. Hunt was not a renowned poet, though his “Jenny Kissed Me” has been enjoyed and often quoted for nearly two centuries. However, Hunt lived during an age of English Romanticism and was influential in the lives of Percy Bysshe Shelley, Lord Byron, and John Keats. He was also contemporary with Samuel Coleridge, William Wordsworth, and Charles Dickens. Such great company has given Leigh Hunt a distinguished status.

About “Jenny Kissed Me”

In 1835 Leigh Hunt and his large family moved to Chelsea in London and became neighbor to poet and author, Thomas Carlyle, at his suggestion. The two became close friends and Hunt’s home was always open to his circle of friends, of which there were many.

Two stories exist. One story is that Leigh Hunt visited the Carlyles to deliver the news that he was going to publish one of Thomas Carlyle’s poems. When the news was delivered to Carlyle’s wife, Jane, she jumped up and kissed him.

The other story is that during one winter Hunt was sick with influenza and absent for so long that when he finally recovered and went to visit the Carlyles, Jane jumped up and kissed him as soon as he appeared at the door. Two days later one of the Hunt servants delivered a note, addressed, “From Mr. Hunt to Mrs. Carlyle.” It contained the poem, “Jenny Kissed Me.”

The second story is the one most often repeated.

Thankfully, Hunt was a wise editor, because in the original draft Jenny was Nelly and the word “jaundiced” was used instead of “weary” in the fifth line.

Reputedly, Leigh Hunt was a flirtatious man, often in trouble with his wife. Also reputedly, Jane Carlyle was a bit sour and better known for her acid tongue than for impulsive affection.

The poem, “Jenny Kissed Me” has been described variously as whimsical, charming, simple, and unaffected. Many readers encounter it for the first time during their school-age years and remember it all their lives. Numerous girls have been named “Jenny” as a result of the fond memory of the poem.

The first striking structural feature of “Jenny Kissed Me” is the trochaic meter. This is characterized by a foot that contains an accented syllable followed by an unaccented one. This meter is not commonly used in formal English poetry because it can sound singsong.

The trochaic meter is more common in children’s nursery rhymes where a singsong rhythm is welcome. Think of “Twinkle, twinkle little star, How I wonder what you are.”

The singsong effect is offset by the abab rhyme scheme in the poem, as opposed to an aabb rhyme scheme. The former rhyme scheme produces a four line verse as the basic unit of the poem, as in “Jenny Kissed Me.” The latter rhyme scheme produces two line couplets which enhance the singsong effect, as in children’s nursery rhymes.

Trochaic meter can also sound solemn or heavy due to the fact that the trochaic foot has a falling pattern (stressed syllable followed by an unstressed syllable). However, “Jenny Kissed Me” is a lighthearted poem and is supported by the use of feminine rhymes.

Lines that end with a stressed syllable are said to be masculine and lines that end with an unstressed syllable are said to be feminine. In “Jenny Kissed Me” lines 1, 3, 5, and 7 are masculine, but that rhyme pattern is not carried throughout the poem. Lines 2, 4, 6, and 8 are feminine, helping to offset the masculine rhymes and helping to make the poem feel lighter and brighter.

The insightful ending to “Jenny Kissed Me” invariably brings a smile to the reader’s face.

About Leigh Hunt

James Henry Leigh Hunt was born in England in 1784 and died in 1859. Many English poets and writers were contemporaries of Leigh Hunt, including Keats, Shelley, Byron, Coleridge, Wordsworth, Dickens, Carlyle, Jeremy Bentham, and Charles Darwin.

During Hunt’s lifetime England engaged in the Revolutionary War and the War of 1812 with America, and the 23 year period of the Napoleonic Wars with France. During Hunt’s lifetime the French Revolution occurred and Napoleon became Emperor of France. Later, steam engines created an industrial revolution, and Darwin sailed to the Galapagos Islands and reported his findings. During a three year period Hunt’s friends and supporters, Keats, Shelley, and Byron all died at young ages.

Leigh Hunt was born into a poor family near London in 1784 and attended school in London at Christ’s Hospital, a school founded 240 years earlier for the education of poor children. Following his schooling, Hunt took a job as a clerk in the war office.

In 1805 Hunt partnered with his older brother, John, a printer, to establish a newspaper called The News. Three years later the brothers abandoned the newspaper and created a political weekly that established their liberal reputation called the Examiner. Among other topics, the Examiner called for many reforms in Parliament, criticized King George III, and called for the abolition of slavery.

The power of journalism came of age during this period of English history with the publishing of numerous critical newspapers which collectively became known as the “radical press.” Consequently, the government became very busy, though mostly unsuccessfully, prosecuting the “radical press” for seditious libel.

In 1812 the Hunts wrote an article in the Examiner that called the Prince Regent, the future King George IV, “a violator of his word, a libertine over head and ears in disgrace, a despiser of domestic ties, the companion of gamblers and demireps.” As a result, John and Leigh Hunt were convicted by a jury of libel and sentenced to two years in prison.

Though he continued to write for the Examiner while in prison, Leigh Hunt’s separation from his family convinced him to turn away from political writing and to focus on literary writing.

Shortly after being released from prison, Leigh Hunt moved into his favorite house in Hampstead where he was able to spend precious time with his wife and three children and with his literary friends. Among those friends who stayed with Hunt for periods of time in his Hampstead house were Percy Bysshe Shelley and John Keats.

Hunt had earlier introduced the world to the writings of Keats and Shelley in the pages of the Examiner. His section on “Young Poets” gave Keats and Shelley access to valuable space where some of their first works were published.

Keats welcomed Hunt’s tutelage for about a year. He broke away from Hunt when a critic labeled Hunt and Keats as members of “The Cockney School of Poetry.”

In 1818 Shelley and his family decided to move to Italy for health and financial reasons. His friend, Lord Byron, was living in Italy at the time and the two corresponded for several years while each lived in different parts of Italy.

In 1821, when Shelley and Byron were both located in Pisa, Shelley envisioned a new magazine called The Liberal, which Shelley, Byron, and friend, Leigh Hunt, would publish in Italy. Shelley sent money and an invitation to Hunt and promised to provide a house and income for Hunt and his large family.

Hunt liked the prospect of joining Shelley and Byron in Italy and took his family to Genoa and then to Leghorn to meet Shelley. After their meeting Hunt and his family went to Pisa to join Byron, and Shelley set sail in his boat, the “Don Juan,” for his home up the coast at Casa Magni.

Shelley’s boat was caught in a thunderstorm and sank. Shelley’s body and his crew washed ashore in Corsica a few days later. Local health laws prohibited the moving of the bodies to Rome or Pisa, so a month later Hunt, Byron, and family members attended a cremation of Shelley’s body. After the cremation Hunt ended up in possession of Shelley’s heart, which he eventually returned to Shelley’s wife, Mary.

Lord Byron was not interested in The Liberal and soon left Italy to take a commanding interest in the civil war unfolding in Greece. Byron died in Greece of respiratory disease in 1823.

Hunt and his family were left in Italy without their friends and without an income. Hunt published a few editions of The Liberal, but it lacked heart and soul and failed. Hunt received an advance for literary works and took his family, which now included seven children, back to England.

Hunt was impoverished most of the rest of his life. Charles Dickens was instrumental in agitating the government for the grant of a pension to be paid to England’s needy authors. In 1847 Hunt began receiving the pension which eased, but did not eliminate, his financial constraints.

Shortly after returning from Italy, Hunt moved to Chelsea, where, as he had done at the Hampstead house, he opened his home to his literary friends.

The publication of Dickens’ novel, Bleak House, considered by some critics to be his finest work, though certainly not his most popular, included a character said to be modeled after Leigh Hunt. The book caused a rift to develop between Dickens and Hunt.

The Bleak House character, Harold Skimpole, was described as “airy, improvident and objectionable.” Skimpole claims to be a child when it comes to finances and manages to have everyone else pay his way through life.

Though Dickens denied that this was a characterization of Hunt and offered apologies, Hunt and his literary friends were offended.

Leigh Hunt died at age 75, well-remembered by his many friends. William Hazlitt, the painter and writer, said that “in conversation he is all life and animation, combining the vivacity of the school-boy with the resources of the wit and the taste of the scholar.”

Garry Gamber - EzineArticles Expert Author

********************

Garry Gamber is a public school teacher and entrepreneur. He writes articles about politics, real estate, health and nutrition, and internet dating services. He is the owner of http://www.Anchorage-Homes.com and http://www.TheDatingAdvisor.com.

20.08.07

Scrapbooking Tags and Ribbons

Arts & Crafts

Ideas and techniques for using tags and ribbons in your scrapbooks

Tricks of the Tags and Ribbons Trade:

Tags and ribbons are fun to incorporate into your scrapbooking pages. There are so many ways to use them. Ribbons are great for attaching other embellishments, or for separating parts of your page. Here are some other ways to use ribbons and tags when scrapbooking.

Use ribbons as backgrounds. There are many ways to use ribbons in your background. One idea is to lay ribbons side-by-side diagonally across your page. You can make the ribbons different lengths and cut different edges. Be sure to use an adhesive that won’t puddle under your ribbon.

Hint: Ribbons can be expensive. To get this look without draining the account, add in strips of patterned paper. When mixed with real ribbon it is hard to tell the difference.

Print words on your ribbons or tags. Use thick cardstock first to print the text you would like to have printed on your ribbons or tags. Tape the ribbon or tag over the words on the cardstock and send the page back through the printer. Make sure you only put tape around the edges of your embellishments so you print on it instead of the tape.

Add a homemade look to your tags. This can be done by hand-stitching around the edges. You can also stitch through the middle of your tag for a patch-work design.

For a fun look, tie ribbons along the edges of part or all of your scrapbook page.

Use various materials for tags. Tags can be made with many different materials such as patterned paper and cardstock, but don’t limit yourself to paper. Try new materials such as cork paper and fabric. Tags are really fun because you can get crazy decorating them, and they will add a lot of character to your page.

Lisa Robbins is a businesswoman and an enthusiast for sports, family, and crafts. She is the creator and maintainer of ScrapsAndCrafts.com, a scrapbooking tutorial and wholesale scrapbooking supply website. She is also a consultant for ScrapbookFinds.com, a search tool for scrapbooking products.

In addition to these roles, Lisa is also one of the owners of RobbinsSports.com, a team sports and fitness products store.

06.08.07

The Childhood Fun inside Quilts

Arts & Crafts

Many of us do remember the fun we had as children playing under quilts during winters. It was fun like fun ought to be – unstoppable and hilarious. Whether it is a hand made quilt or a professionally designed one, quilts are more than just a bed dressing. They are an integral part of our memories and our culture.

The winter season brings with it a change in climate and temperature. It is the time to stay indoors at night. Days are short, and it gets dark sooner than at any other time. The year-end vacations have just begun. What time could be better than this to have a hot cup of tea in bed, wrapped between sheets of a hand-made quilt?

For children this is the chance of a lifetime to fight with each other inside quilts. For one thing, the noise made is less, and no one gets to see the action! The quilt also acts like a protective cover, absorbing the elbow pushes or sudden falls outside the bed. The closeness also ensures no hard blows are delivered by mistake. Real fun fighting for real kids.

It is the softness and the strength of the quilt that makes it ideal for long term bedding requirements. The colorful patterns never fail to attract children’s attention as they lie wrapped in a cozy warmness that goes deep inside their thin frames. How kids love to stay inside quilts and play with its multi-colored borders until they fall asleep! The intricate patterns keep their playful minds busy trying to understand the pattern in its logical structure and beauty.

Quilt making at home can be difficult for beginners. With some training, it should be possible to make hand made quilts with your chosen colors and designs. Not only would they give family members a good time, it would be a pleasure to look at them in the future with cherished memories of times spent together.

The author is a freelance writer. He can be contact at:

sharma_ameet@hotmail.com
amitontheweb@gmail.com

25.07.07

Love Poems Make Everybody Happy

Arts & Crafts

There is no dearth of love poems in Sanskrit Language. In fact, thousands of verses
can be cited for each and every mood of the lover.
From the hundreds of poems I have collected, given below are three poems that are beautiful and moving. The poems make everybody happy.
Lover is addressing a Bee!

——————————-

It is not the water lily, but her eye;

No lotus but her face;

And this is no bandhuka blossom

but her lip which bears the flowers selfsame pink

I too did err at first, Oh Bee;

How much the more should you

But give over your effort. Leave them, leave;

You work in vain

This beautiful poem has been written by Rajasekhara, (English

translation by Daniel H.H.Ingalls)

Admiring the beauty of the girl the lover is addressing the bee and
confesses that he too committed a mistake by thinking her lip as the
beautiful flower. Eye is like water lily, the face is like lotus and
the lip is like bandhuka!

The botanical name of the flower bandhuka is Pentapetes phoenica. It
blossoms in the afternoon and falls in the next morning. From its color
it serves as a simile for rising sun, red jewels, but especially for
the girl’s lip.

A thirsty lover

——————–

My eyes with difficulty pass her thighs,

To wander long in the land about her hips,

Then at her waist, uneven with the triple fold

Become quite powerless to move,

But now at last, like travelers parched by thirst

They‘ve climbed the mountains of her breasts

And see at last what they had hoped,

Their counterparts, her eyes, that flow with tears.

This verse was written by the great king Harsha Deva..

(English translation by Daniel H H Ingalls)

The youth’s eye is wandering through the various landscape of his
beloved -hips,

waist, breasts, then moves above and at last met the counterparts,
eyes.

The eyes are tearful.

In the Pleasure house two became one

————————————-

In the pleasure house, there is the young girl with her frame slightly
stooping due to the weight of the bosom, and there is the lord of her
life, husband, united with youth;

these two mutually embracing warmly have entered into the body of each
other and are thus concealed and to no one is their separate identity
clearly discernible.

This is one of the songs collected by Harikavi (English translation by A A
Ramanathan)

In the pleasure house two became one; and that is the ultimate end one
wants in the sports of love game.

One can reach thousands of Sanskrit love poems that are readily
available in English to elevate the knowledge to new heights.

Santhanam Nagarajan - EzineArticles Expert Author

S.Nagarajan is a vehicle body engineer by profession. He has written more than 1300 articles in 16 magazines and published 18 books so far. He is revealing Eastern Secret Wisdom through T.V.Programmes, magazine articles, seminars, courses. His email
address is : snagarajans@gmail.com

03.07.07

How To Sew Lingerie Clasps Or Strap Holders To Keep Undergarments Under Garments

Arts & Crafts

For those of you who prefer to keep your “undergarments” under your garments, here is a little sewing tip on how to sew “lingerie clasps” or “strap holders” to keep your bra straps in the proper place.

Make these discreet clasps from lining fabric or even rayon hem tape or ribbon.

They really help keep bra straps and lingerie from showing and also act as an anchor to keep wide necklines from falling away from the body and exposing everything from neck to waist every time you lean over.

These clasps can be attached to the inside at the shoulders and at the widest point of some necklines to control the dress and straps.

Here is how to make lingerie clasps.

From lining fabric:

1. For each clasp, cut a straight strip of fabric 1-3/4″ long and 3/4″ wide.

2. Fold the strip in half lengthwise, right sides together.

3. Stitch 1/4″ from the fold.

4. Turn strip right side out and press with seam along one edge.

5. Turn in raw edges at the ends and slip stitch.

You can also use 1/2″ wide ribbon or seam tape to make the clasps. Just cut 1-3/4″ long; fold the width in half to 1/4″ and top stitch.

Put on the dress or top over the lingerie you intend to wear with it and mark with pins where you want the clasps to be attached.

Clasps always open toward the neck.

Sew the end of the clasp farthest from the neck to the shoulder seam. Sew half of a small snap to the free end.

Sew the other half of the snap to the shoulder seam beneath the end of the clasp to line up with the snap already on the clasp.

For a wide neck, sew an additional set of clasps inside the neck in the same way. Attach the clasps to the facing or lining of the garment.

Now you have total control of those wandering straps and fall away wide necklines.

It just makes sense!

©2006 Marian Lewis - All Rights Reserved

1st Step To Sewing Success

Marian Lewis is a sewing instructor and the creator of an amazing new fitting method for hard-to-fit sewing folks.

In her ebook, “Common Sense Fitting Method For Hard-To-Fit Sewing Folks Who Want Great Fitting Skirts And Pants”, find out step-by-step WHAT you really need, WHERE you really need it and HOW to apply that to a commercial sewing pattern.

For more information, go to =>http://www.1ststeptosewingsuccess.com/fitting.html

Marian is also the author of other eBooks related to sewing including, “Sew A Tee Pee And Accessories For Your Tribe Of Kids” and “Classy Designer Straight Skirt” where she teaches basic and advanced sewing techniques.

To learn more, go to =>http://www.1ststeptosewingsuccess.com/sewing.html

To discover sewing and fitting secrets to achieve sewing success, follow the link =>http://www.1ststeptosewingsuccess.com

30.06.07

Spanish Love: Spanish Poets and Their Spanish Poems

Arts & Crafts

Love and its attendant passions has been the favorite subject of Spanish poetry since the time of the troubadours, medieval poets who earned their keep by singing for the people at the village square or for the nobility during royal gatherings at the palace. Composers in their own right, these court poets sang about courtly love and the bittersweet pain of unattained love for an idealized woman using the jarchas, a form of love song that was actually poetry written in very short stanzas.

It is important in the study of Spanish love poems to differentiate between poems that originated from countries outside of Spain including Argentina, Chile, Colombia, Cuba, Ecuador, El Salvador, Mexico, Nicaragua, Peru, The Philippines, Puerto Rico, The United States, Uruguay and Venezuela which were written in Spanish but whose authors were not from Spain. All these poets and their respective poems have contributed in some way to the development of Spanish Poetry as a genre because they all wrote their work in Spanish albeit in the form of Spanish common to their country of origin. Although some of them wrote patriotic poems about their motherland, most of them utilized images of love to depict the sorrow of a country that has lost its freedom.

Some of these well-known Spanish poets and their popular poems are:

Carlos Alberto Garcia – Amor
Que soy
Quisiera
Yo te conozco
Olvidarte
Nestor Oscar Morris – Quiero decirte algo
Pienso solo en ti
Jorge E. Diaz Leyton – Tu
Manuel M. Mendez – Pertenencia

Focusing attention on Spanish poets who trace their origins to Spain, however; poets who lived, loved and wrote their best work within the Spanish Peninsula or the so-called ‘Poetas de España’, we come up with a list of illustrious writers whose works contributed to the development of Spanish Literature as it is today.

* Rafael Alberti - La Amante
* Vicente Aleixandre ( Nobel Laureate 1977) – Destruction of Love
* Dámaso Alonso – Hijos de la Ira
* Gustavo Adolfo Bécquer – Rimas y leyendas
* Saint John of the Cross - Dark Night of the Soul
* Luis Cernuda - La realidad y el deseo
* Francisco Domene - Arrabalías
* León Felipe – Drop a Star
* Federico García Lorca - Sonetos del amor oscuro
* Luis de Góngora - Soledades
* Jorge Guillén - Cántico
* Miguel Hernández - Nanas de cebolla
* Santa Teresa de Jesús - Laughter Came From Every Brick
* Juan Ramón Jiménez (Nobel Laureate 1956) – La Poetica
* Antonio Machado - Nuevas canciones
* Jorge Manrique - Coplas por la muerte de su padre
* Emilio Prados - Veinte poemas en verso
* Francisco de Quevedo - Flores de poetas ilustres
* Ana Rossetti – Where is My Man
* Pedro Salinas - Ayer Te Besé en los Labios
* Garcilaso de la Vega - Hora de Nuestra Señora
* Lope de Vega - La Arcadia
* Esteban Manuel de Villegas - Las Eróticas
* Leopoldo María Panero – Dedicatoria

LearnMyLingo.com delivers a variety of quick language learning programs right to your desktop including Spanish and a free language learning guide, 8 ways to learn a language quickly and easily.

Search
Your are browsing
the Archives of Avoiding the Drag of the Rat Race in the 'Arts & Crafts' Category.
Categories
Feeds